Just as in real life, fictional characters often perceive the same events differently, based on their perspective and point of view.
We usually think of point-of-view in literature as simply first person or third person. But it’s much more than that. The point of view, or perspective from which a story is told influences the way the reader will understand the story. And, just as in real life, different characters will perceive the same event differently.
In fact, there’s a body of research that suggests that focusing point of view just on the main character leads to a limited understanding of the story; even when readers do identify different perspectives, they tend to interpret it based on the characters for whom they feel most empathy (Golden & Guthrie, ” Convergence and Divergence in Reader Response to Literature,” 1986.) Character conflict is at the heart of much fiction. That’s why giving students opportunities to analyze and interpret different characters’ perspectives and points of view is such an important aspect of critical reading.
CHARACTER PERSPECTIVE CHART
In Mike West’s novel Street Racer, the main character is the reckless daredevil Nitro but the story is narrated by his mild-mannered cousin Haresh. As with most novels, there are several characters with conflicting ideas and opinions.
One of the graphic organizers from the Street Racer Teacher’s Guide asks readers to describe the same key event from the perspectives of three different characters in the story. Download a Point of View Graphic Organizer that can be adapted to any piece of fiction with multiple characters.
Return to the “What a Character” page for more links and graphic organizers related to Characterization
Although the BOAT-LAND cartoon above has appeared in numerous blogs and websites, we have been unable to ascertain its original source. If any reader is aware of the source or creator, please let us at HIP know so we can give credit where credit is due.